Peer-Review Scholarship

“Eva Hesse and plastics: a study of collaborative fabrication,” Sculpture Journal 33, no. 4 (December 2024): 507-523.

“The Pioneers of Plasticraft: When Artists Found Plastics in the United States.” In Plastics, Environment, Culture and the Politics of Waste, edited by Tatiana Prorokova-Konrad, 161–180. Edinburgh: Edinburgh University Press, 2023.

“Plastic in Motion: Frederick Eversley’s Parabolic Lenses of the 1970s,” American Art 36, no. 3 (Fall 2022): 38–67.

Book Projects

“Conversation: Fred Eversley with Danielle O’Steen.” In Fred Eversley: Parabolic Lenses. Los Angeles: David Kordansky Gallery, 2022.

“United States Holocaust Memorial Museum” and “National Gallery of Art.” In Art & Place: Site-Specific Art of the Americas, 124–127. London: Phaidon Press, 2013.

Exhibition Catalogues

Lou Stovall: On Inventions and Color. Washington, DC: The Kreeger Museum, 2022.

Charles Hinman: Structures, 1965–2014. Washington, DC: The Kreeger Museum, 2019.

Site Aperture. Washington, DC: Flashpoint Gallery, 2011.

Features and Reviews

"The Heightened Sense of Belonging: Madeline Stratton's We Were Here.” East City Art (March 16, 2022).

"Plastic Fantastic: On Duane Hanson’s Woman Eating.” Eye Level, Smithsonian American Art Museum Blog (August 30, 2019).

“Review: Foon Sham, American University Museum at the Katzen Arts Center, Washington, DC.” Sculpture 37, no. 1 (January/February 2018): 66.

"Review: ‘Martin Puryear: Multiple Dimensions’.” Art in Print 7, no. 2 (July/August 2017): 38–40.

“Review: Hedieh Javanshir Ilchi at Contemporary Wing.” Art Papers (September/October 2012): 62.

“Hirshhorn’s space-saving challenge: Barbara Kruger.” The Washington Post, August 28, 2012: C2.

“Pushing craft into art’s realm: Renwick Gallery’s ‘40 under 40’.” The Washington Post, July 24, 2012: C1.

“Review: J.J. McCracken at 39th Street Gallery.” Art Papers (May/June 2012): 40–41.

“Traditional images, enhanced digitally: Colby Caldwell.” The Washington Post (April 1, 2012): E5.

“Art review: Pitting dance slippers against hobnail boots.” The Washington Post (February 26, 2012): E4.

“Ancient Americas’ many faces explored in the proper context.” The Washington Post (February 12, 2012): E8.

“Blazing new trails in figurative painting.” The Washington Post, October 2, 2011: E2.

“Washington, photographed in the mind’s eye.” The Washington Post (September 3, 2011): C1–C2.

“Yves Klein: With the Void, Full Powers @ Hirshhorn Museum.” www.dcist.com (August 13, 2010).

“Looking at the Big Picture: Chuck Close.” Washington Post Express, August 5, 2010: E6.

“Self-Promotional Materials: Flashpoint’s ‘By Request.’” Washington Post Express (July 29, 2010): E7.

“Mark Rothko’s In the Tower @ the National Gallery of Art.” www.dcist.com (July 27, 2010).

“Street Artists on the Rise.” Spana: Swedish Traveling Exhibitions (Winter 2009).

“Radiant Nation: William Eggleston taught American photographers to see the country in color.” Washington Post Express, June 25, 2009: E7.

“To Entertain in Order to Educate: Museums and New Media.” Spana: Swedish Traveling Exhibitions (Spring 2009): 38–45.

“Louise Bourgeois Retrospective.” Capitol File (February 2009): 101.

“Ready, Aim, Shoot: FotoWeek D.C.” Washington Post Express (November 13, 2008): E5.

“What’s On in D.C.: Photo and Video Edition.” www.artinfo.com (November 14, 2007).

“The Writing on the Walls: Sol Lewitt at Dia: Beacon.” www.artinfo.com (October 12, 2006).

“Egon Schiele on View at Neue Galerie.” www.artinfo.com (March 3, 2006).

Art Market Reporting

“Trade Secrets: Art + Auction obtained exclusive access to the Smithsonian Institution’s Leo Castelli archive.” Art + Auction (May 2008): 172–181.

“New York Fall Auction Report.” Flash Art (January/February 2008): 77.

“Departing D.C.: Olga Viso from the Hirshhorn Museum and Sculpture Garden and Leah Dickerman from the National Gallery of Art.” Art + Auction (December 2007): 35.                

“Artist Dossier: To attain works that artfully combine oddity and poetry, collectors of Joseph Cornell learn to think inside the box.” Art + Auction (February 2007): 108–110.

“Artist Dossier: The inventive, eccentric art of Louise Bourgeois has long been admired. But the market for her work hasn’t always matched reputation.” Art + Auction (July 2006): 59–60.

“Imitation of Life: Antoni Gaudí’s design objects.” Art + Auction (April 2006): 136–138.

“Dark Dreamer: Rare to the market, Odilon Redon’s poetic, visionary drawings and paintings are being sought by a small but avid group of collectors.” Art + Auction (October 2005): 154–156.